Discussion: A Camera In Animation

90 min
What to do with the camera in an animated film? How do you light a puppet film? And what awaits the cinematographer in a film that is painted on glass? Their views will be shared by: ๐—Ÿ๐˜‚๐—ฐ๐—ถ๐—ฒ ๐—ญ๐—ฎ๐˜ƒ๐—ฎ๐—ฟ๐—ฐฬŒ๐—ถฬ๐—ธ๐—ผ๐˜ƒ๐—ฎฬ (Apart, Together, Only the Good Survive), cinematographer and chairman of the Association of Slovak Cinematographers, cinematographer ๐—๐—ฎ๐—ฟ๐—ผ๐˜€๐—น๐—ฎ๐˜ƒ ๐—™๐—ถ๐˜€ฬŒ๐—ฒ๐—ฟ (The crossing, Fimfarum โ€“ Third Time Lucky 3D), who has also had a long career as a photographer, and ๐—ข๐—ป๐—ฑ๐—ฟฬŒ๐—ฒ๐—ท ๐—ก๐—ฒ๐—ฑ๐˜ƒ๐—ฒฬŒ๐—ฑ (The Kite, Woo-hoo! ), who in turn oscillates between live-action and animation cinematography, will also have his own curated film programme at OKO. The discussion will be moderated by Matouลก Svฤ›rรกk, co-founder of the website F-A-T (film-animation-theory).
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